Yaanai 

A film - likewise called a film, movie, moving picture, picture or photoplay - is a work of visual craftsmanship that reproduces encounters and in any case imparts thoughts, stories, discernments, sentiments, excellence, or climate using moving pictures. These pictures are by and large joined by sound and, all the more once in a long while, other tactile stimulations.[1]

"film", short for cinematography, is frequently used to allude to filmmaking and the entertainment world, and to the fine art that is its consequence.

The moving pictures of a film are made by shooting genuine scenes with a movie camera, by capturing drawings or small scale models utilizing customary movement procedures, through CGI and PC liveliness, or by a mix of some or these methods, and other enhanced visualizations.

 

Before the presentation of computerized creation, series of still pictures were recorded on a segment of synthetically sharpened celluloid (visual film stock), ordinarily at the pace of 24 edges each second. The pictures are communicated through a film projector at similar rate as they were recorded, with a Geneva drive guaranteeing that each edge stays as yet during its short projection time. An alternating shade causes stroboscopic timespans, yet the watcher doesn't see the interferences because of flash combination. The evident movement on the screen is the aftereffect of the way that the visual sense can't perceive the singular pictures at high velocities, so the impressions of the pictures mix with the dull spans and are in this way connected together to deliver the deception of one moving picture.

A similar to optical soundtrack (a realistic recording of the verbally expressed words, music and different sounds) runs along a part of the film solely held for it, and was not anticipated.

Contemporary movies are generally completely computerized through the whole course of creation, conveyance, and show.

The name "film" initially alluded to the meager layer of photochemical emulsion[2] on the celluloid strip that used to be the genuine vehicle for recording and showing movies.

 

Numerous different terms exist for a singular film, including picture, picture show, moving picture, photoplay, and flick. The most well-known term in the United States is film, while in Europe film is liked. Old terms incorporate "vivified pictures" and "enlivened photography".

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The hero protecting his family from the villain is a trope that Hari often resorts to and the director manages to present this with slight variations to make the story not become too predictable. He also eschews his trademark hyper-edited visuals and goes for lengthier shots, which actually help us stay immersed in the proceedings.

The single-shot stunt sequences, especially, lend intensity to what might have been regular over-the-top action scenes.

Some of the characters are also interesting. If not for Lingam, Samuthirakani's Ramachandran, a casteist, self-centered rich man, would have been the antagonist of the film, and Hari builds his character's arc pretty well. Even Ravi isn't perfect, with his views constantly shifting, and Arun Vijay does a good job in putting across this character as a flawed man who means good. We see that he is a product of the casteist, patriarchal culture that he's grown up in, but will always put being humane above all else.

Priya Bhavani Shankar and Radikaa score in the couple of scenes that they get while Yogi Babu impresses more in one emotionally charged scene compared to the numerous attempts at comedy.